Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
The Line Has Shattered (1963 Vancouver Poetry Conference)
Mer, Ella and I left Seattle Thursday morning for Vancouver for the premiere screening of a documentary on the 1963 Vancouver Poetry Conference, The Line Has Shattered. It was being screened at...
The History of the Decline of Wild Salmon
David Montgomery - The History of the Decline of Wild Salmon David Montgomery is a Professor of Geomorphology at the University of Washington and author of: King of Fish: The Thousand Year Run of...
Denis Mair on Huang Nubo (Luo Ying)
I have known Denis Mair from my earliest days attending Red Sky Poetry Theater at the Globe Cafe at 14th & Pine. This would have been as early as 1995. A tall, soft-spoken man, he would read his...
May 13 Nanaimo Workshop
I have been fortunate to be able to travel to much of Cascadia. Sometimes I get to share the fruit of my research on Organic Poetry. David Fraser of Wordstorm has invited me back to Diana Krall's...
Xi Chuan Notes on the Mosquito
After making a presentation in Xining, China in August, 2011, at the 3rd Qinghai Lake International Poetry Festival, a Chinese poet came up to me, told he he enjoyed my presentation and asked if I...
Cascadia Poetry Festival Ad Board Meeting
To the Members of the Cascadia Advisory Board, We are scheduling a meeting on Sunday, March 31, 2013, at 4P at Spring Street Center, 1101 15th in Seattle. We'll give folks an update on developments...
The Meat Reason of the Last Beat
The Meat Reason of the Last Beat: McClure’s Latihan (Download as pdf) A man writhing on the floor with his eyes closed, perhaps groaning and twisting in sunlight that pours through a window,...
How to Not Get Lost Backpacking
The vision quests in our culture are usually unintentional. We have, by and large, rejected the ancient needs for rituals to mark rites of passage, but somewhere in the psyche, a human demands it to...
The State of Seattle Poetry (Online Panel)
Greg Bem and Amber Nelson have asked me to convene the first of many online panels on poetry they plan to produce starting March 24, 2013: Confirmed panelists: Daemond Arrindell. Poet, performer,...
1st Crop of 2013 American Sentences
One function of my practice of writing a daily American Sentence is as a journal. I will go back to these not for the literary merit, but to remind myself of life's little trials and twists. Having...
Make it True meets Medusario Review
Thank you Paul Constant, at the Seattle Review of Books, for the kind and (I think) perceptive review of an anthology I had a hand in bringing into the world. Make It True meets Medusario is indeed...
No Map, No Jud (For Judith Roche)
My elegy for Judith Roche has been published by the South Seattle Emerald: https://southseattleemerald.com/2019/11/24/sunday-stew-no-map-no-jud-for-judith-roche/ See also:...
Bill Mawhinney Bids Adieu to Northwind
I had the good fortune to read AT LEAST three times during Bill Mawhinney's tenure as producer of the monthly Northwind Poetry series in Port Townsend over the last 13 years. That he came out of the...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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