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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.

SPLAB @ &Now Cascadia by Anthology

I am delighted to be part of the &Now Conference, which is being staged at UW-Bothell, September 19-22, 2019, with a rather remarkable collection of "experimental" poets.Not sure what word is...

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#APPF13 Wrapup (What I Wrote)

It seems rather overwhelming to summarize my experience as a participant of the 13th August Poetry Postcard Fest which longtime participant Terry Holzman a few years ago nicknamed PoPo and an...

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Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

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To get original poetry right in your mailbox this summer, check out the Poetry Postcard Fest.

Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson