Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Washington State Poetry Questionnaire
The new state Poet Laureate, Kathleen Flenniken asked me to help get the word out about her focus as the 2nd Poet Laureate of the state of Washington, the state poetry questionnaire. I agreed and...
2012 American Sentences (so far)
So, I found my pocket journal that went from October 13, 2011 to January 17, 2012. It was a scary moment when I couldn't find it for various reasons. I do not want to think about how a lost journal...
Personal Mythology in Poetry
By the time you read this, I will have likely performed as part of the 2nd piece of the Four Hoarse Men SOundPO project. (See video of the first project here.) Although due to scheduling we're three...
Poems published, Slaughter video
Things are getting close to critical here on the Nelson home front, with Ella Roque due on March 10 and the Cascadia Poetry Festival coming up March 23-25.We could use more registrations for that...
57. Frog Song
After Susan Point’s Nowhere Left. 2000 https://www.mister-toad.com/PacificTreeFrog.html Ghetto - 1605–15; < Italian, orig. the name of an island near Venice where Jews were forced to reside in...
Stellar (Ella) (a Haibun)
Ships sail so far away, even farther, that their smoke is no more than the distant signal of a marine volcano. – Ramón Gomez de la Serna & further still the cosmos. & in the cosmos the soul...
Some February American Sentences
A form Allen Ginsberg invented to “Americanize” haiku, these are snapshots of the moment written by Paul E Nelson, one a day, for over eleven years. These are a sampling from most Februaries of the...
Pig War Residency
Jan 28, 2012 My residency here at the Whiteley Center ends tomorrow, alas. What a tremendous place to think, write &c. Sure, the photos give you a sense of that (my Pig War research photo album...
Tara Hardy Fundraiser 2.23.12
from Daemond Arrindell: Hi everyone, Two months ago, our dear friend and loved writer Tara Hardy went to the emergency room. She was extremely fatigued and little red spots were appearing on her...
Four Hoarse Men Sound Poetry
Greg Bem, Jason Conger, Joe Chiveney and I have been rehearsing a Sound Poem originally done by the Four Horsemen: bp nichol, Steve McCaffery, Rafael Barreto-Rivera and Paul Dutton. (Their version...
Tim McNulty Interview (Olympic National Park Natural History)
Interview with Tim McNulty on Olympic National Park: A Natural History 4th Edition. Recorded Sunday, October 28, 2018, at the home of Tim & Mary McNulty, Lost Mountain, WA There is something...
Elizabeth Cooperman, Thomas Walton, The Last Mosaic (Interview)
Interview with Elizabeth Cooperman and Thomas Walton on their book The Last Mosaic, published by Sagging Shorts, a division of Sagging Meniscus. Recorded Sunday, October 7, 2018, at the home of...
Deep in Cascadia
Huge thanks to Adelia MacWilliam, Danika Dinsmore, Dominick DellaSala and all the attendees and participants at the first Deep in Cascadia Poetics Retreat in Cumberland, BC. Special thanks to Andrew...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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