Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
R.I.P. Michael McClure, 20-Oct-1932 – 4-May-2020
I will never forget meeting Michael McClure, interviewing him in 1995 at the old KZOK-FM studios on Queen Anne Hill, him taking me out for Vietnamese food saying lunch was "on Penguin" (his...
PEN America Emergency Writers Fund
Artists have to train themselves to not link their own self-esteem to outside validation. In THIS culture, the job is much harder because of what the composer Charles Wuorinen said to the New York...
Sam Green’s ATBS Binding
Huge gratitude goes out to Washington's first Poet Laureate, Sam Green, who has bound my new book A Time Before Slaughter/Pig War: & Other Songs of Cascadia. He did it a week or so ago and sent...
Lewis MacAdams Dead
This was in the L.A. Times tonight: Lewis MacAdams, a poet and crusader for restoring the concrete Los Angeles River to a more natural state and co-founder of one of the most influential...
Documenting Pandemic
Thanks to POPO participant Linda Clifton, I learned about an essay by George Saunders in The New Yorker: A key paragraph for me: Are you keeping records of the e-mails and texts you’re getting, the...
A Time Before Slaughter/Pig War: & Other Songs of Cascadia
When the box of books arrives at your house and for the first time you hold your new book in your hand, it is quite an experience. I remember moving to Seattle in 2009 and having the first box of my...
POPO is Here (Early)
Faced with the prospect of not having any (in person) poetry readings for a while due to the novel Coronavirus (COVID-19) and self-isolation for several weeks, the SPLAB Board agreed with my notion...
(Streaming) Lyric World Conversations with Koon Woon
THIS EVENT HAS BEEN CANCELED DUE TO THE CURRENT COVID-19 PANDEMIC I was delighted to be part of an event that features a local poet who has been part of the Seattle literary scene for many years and...
Plugging Into the Current: The Immediacies of Daphne Marlatt’s Writing
I had a flurry of activity about a month ago. I prepared a talk for a poet's society with which I was engaged for a couple of months to serve as a sort of "dress rehearsal" for a talk at a...
A Time Before Slaughter/Pig War: & Other Songs of Cascadia
The tenth anniversary edition of A Time Before Slaughter is coming out on April 11 with a launch at Open Books. My publisher, Apprentice House, is adding a whole separate book to the new edition,...
Bradner Gardens Concert, Aug 17
I'm delighted to read poems again with the backing of the Jim O'Halloran Quartet, Saturday, August 17, 2024, 7pm at Bradner Gardens. The gardens are at 1730 Bradner Place South in the Mount Baker...
Social Acceleration and the Postcard Antidote
I was fortunate to be invited to teach spontaneous poetry methods at Holden Village, which is a spiritual retreat in the North Cascades. It is a former mining town and is a 45 minute drive from the...
Another DaySong (1980)
Another DaySong (1980) By Paul E Nelson Alongside The Day Song of Casa del Colibiri, Another Day Song (1980) is a fantastic meditation throughout the day via insight and poetry. Nelson's works...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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