Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Promoting American Prophets
Dear Blog-reader, I have several events at which I will be promoting American Prophets and I hope to see you at one or two. February 3, 3pm - Elliott Bay Book Company. 1521 Tenth Avenue Seattle....
War Elegy 2b (After William Everson)
War Elegy 2b (The Lottery, January 23, 2019) In our end time, the days of pre-casino capitalism behind us against the cultural tinnitus nursing connection to non-local mind we seek to release all...
American Prophets @ Elliott Bay Books
I am delighted to be making a presentation about my new book of transcribed interviews, American Prophets, at the legendary Elliott Bay Books, Sunday, February 3, at 3pm. I'm hoping to play some...
Make It True meets Medusario
From the introduction (by Matt Trease) of an upcoming anthology I have had a hand in bringing into the world: Some Background This anthology is the result of a collaboration between Cuban Neobarroco...
Paul E Nelson’s Interviews by Jason Wirth
It was a very humbling experience for me Friday, December 14, 2018, to hear very intelligent and considerate people talk about different aspects of SPLAB's 25 years in existence, with a special...
Open Books Interviewing Workshop
I am delighted to be celebrating the release of American Prophets by way of doing interview workshops in and around Cascadia for the next few months. A workshop happens at Open Books: A Poem...
#SPLAB@25
The non-profit organization I founded on December 14, 1993 turns 25 tomorrow and we are going to celebrate. SPLAB started as It Plays in Peoria Productions and had a mission of creating radio...
One Mind (Impersonal)
The launch of AmericanProphets, my book of transcribed interviews mostly taken from the years of the syndicated radio show I hosted and produced between 1993 and 2004, has been not only a cathartic...
Unconventional Nelson
10.20.2018 - I told the UPS clerk my Mom’s first name was unconventional. #AmericanSentences When Bhakti and I were in Chicago last September, my Ma, Lesbia Nelson, was having lower back pain and so...
Feast on TISH & Cascadia
There is a great review of two door-stopping books of poetry in the new BC Booklook. The subjects are Daphne Marlatt and Fred Wah, two members of the legendary TISH group in Vancouver, BC, in the...
Colleen McElroy Interview
In the wake of the death of Colleen McElroy on Tuesday, December 12, 2023, we are re-posting this interview conducted in 2016. This interview will be part of the next book of transcribed interviews...
Cascadian Zen Launch at Elliott Bay Dec 4, 2023
I am thrilled to present Cascadian Zen at the legendary Seattle independent bookstore Elliott Bay Book Company, Monday, December 4, 2023, 7pm (sharp) at 1521 Tenth Avenue in Seattle, WA. This will...
Rainier Beach Arts & Crafts Market
I'm delighted to again participate in the annual Rainier Beach Arts & Crafts Market on December 2, 2023, from 10AM – 3 PM. The address is 6038 S Pilgrim St., in Seattle, in Upper Rainier Beach...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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