Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
Gluten Free Cultural Bandwidth
I guess pizza and coffee with a cheese Danish is out. In one way this post is a continuation of the Bernie Sanders expands the Cultural Bandwidth post of a few days ago. And today two noteworthy...
524. Topless Lady (Not a Leinenkugel ®)
For some reason I segued into a memory from my rock n roll DJ days in Appleton, WI (WAPL) with this latest 2015 August Poetry Postcard Fest poem from August 11. I was a member of the Leinenkugel...
Bernie Sanders Expands the Cultural Bandwidth
I had been living in Seattle for less than a year when I read an article, or maybe an ad in The Nation magazine, that Bernie Sanders, a Socialist from Vermont, was running for Congress. I think I...
Ai WeiWei Exhibit on San Juan Island
What a great thing to do on a Sunday - day trip to San Juan Island to see an exhibit of the work of legendary conceptual artist and Chinese political dissident Ai WeiWei. His story is legendary (and...
523. Body, Speech, Mind
In this poem from the 2015 August Poetry Postcard Fest the fact I was reading Philip Whalen's biography is reflected and because of that some Buddhist notions. Other factors include a touch of Subud...
Ancestry Includes Chiefs
One of the truly remarkable gifts in the information age is the access to ancestral information. Within the last year I started an account with the Geni.com and in the last week my Brother Andrew...
Bernie & Your HN’s Political Compass
For friends not on Facebook, your humble narrator continues to wade through the social media slop so you don't have to. A couple of nuggets today: First is this little test to determine where you...
Sam Hamill Interview, Notes on Cascadia 3 (Malpais)
The last Malpais Review is out and like most literary initiatives on this here continent, it went as far as their Publisher/Editor Gary Brower could take it. I am fortunate enough, thanks to Amalio...
522. More Recreation
Written in the heat of the recent Bernus Interruptus, which I witnessed and which my report of (I think) resulted in the loss of one postcard participant. The bloqueo reference is the Cuban economic...
I Sing the Body Apoplectic (to) Make The Pie Higher
It takes years for most poets to learn a craft and then unlearn certain rules, or learn how to creatively break them like playing with syntax, making abrupt subject changes and other techniques...
Fred Wah on The Simple, Serial Form and MHT
It has been over a decade since I first began to try to get Fred Wah to sit down and have an interview about his (now) 60 years of work in poetry. When we did sit in front of our respective Zoom...
Wildlife of the Underworld (Plants & Poetry Journal)
I'm delighted to have a couple of FLEXIBLE MIND poems in the new book from Plants & Poetry Journal, Wildlife of the Underworld. Susan Landgraf! Cole Swenson! Jeffrey Beam! & others. I can't...
Ode to Bill Turner
I was very saddened to hear about the death of NW painter William Turner. He died at age 81 on Christmas Eve. I felt Bill was a genius painter and tremendously under-appreciated. Maybe that changes...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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