Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Bernie & Your HN’s Political Compass
For friends not on Facebook, your humble narrator continues to wade through the social media slop so you don't have to. A couple of nuggets today: First is this little test to determine where you...
Sam Hamill Interview, Notes on Cascadia 3 (Malpais)
The last Malpais Review is out and like most literary initiatives on this here continent, it went as far as their Publisher/Editor Gary Brower could take it. I am fortunate enough, thanks to Amalio...
522. More Recreation
Written in the heat of the recent Bernus Interruptus, which I witnessed and which my report of (I think) resulted in the loss of one postcard participant. The bloqueo reference is the Cuban economic...
I Sing the Body Apoplectic (to) Make The Pie Higher
It takes years for most poets to learn a craft and then unlearn certain rules, or learn how to creatively break them like playing with syntax, making abrupt subject changes and other techniques...
Upcoming Readings: Sonic Bloom, Port Townsend, Wedgwood
I will be doing readings from American Sentences at two upcoming gigs and one of work completely created for Greg Bem's latest literary adventure. Dates: Wednesday, Jan 20 - 9pm, at Sonic Bloom -...
Cascadia Poetry Events
There are a few developments with the Make It True anthology and the combination of bioregionalism and poetry. I hope you'll help us get the word out about some events coming up. It was great to...
David Bowie (1947-2016)
This started out as a Facebook comment, but I have to document some of my thoughts on this day we find out David Bowie has died of liver cancer. (He died yesterday, January 10, 2016). I was the...
521. Composed in Solidarity
Since 2004, I've had a little soft spot in my heart for Muslims given that my spiritual practice (the Latihan Kejiwaan of Subud) was created (discovered?/invented?) by a Muslim. (I was initiated...
Greg Bem Reviews American Sentences
I get nervous sending out review copies of my new books. Fortunately, I took Sam Hamill's advice from a few years ago to heart and am not in a rush to publish. At least I don't think I am. But my...
Vancouver/Victoria Make It True Readings
2016 marks Year Four in a twenty year cultural exploration of the Cascadia bioregion. The methodology is poetry and several projects are coming to fruition. Here are some key events in that effort:...
Haibun de la Serna: 99 Haibun
by Paul E Nelson June 2022 Review by Pablo Baler Paul Nelson’s Haibun moves with the spirit of Ramón Gómez de la Serna’s greguerías, one of the unclassifiable micro-genres Gómez invented in his...
Fred Wah on The Simple, Serial Form and MHT
It has been over a decade since I first began to try to get Fred Wah to sit down and have an interview about his (now) 60 years of work in poetry. When we did sit in front of our respective Zoom...
Wildlife of the Underworld (Plants & Poetry Journal)
I'm delighted to have a couple of FLEXIBLE MIND poems in the new book from Plants & Poetry Journal, Wildlife of the Underworld. Susan Landgraf! Cole Swenson! Jeffrey Beam! & others. I can't...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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