Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
Whalen, Zen and Postcards
Thanks to Sam Hamill's suggestion, I have been reading Crowded by Beauty a biography of Beat Poet and Zen Monk Philip Whalen by David Schneider. Am loving it and finding it a great companion and...
Zen, BLM Shuts Down Bernie
I was at the Bernie Sanders rally yesterday (8.8.15) in downtown Seattle's Westlake Center where he was interrupted a second time by protestors from #BlackLivesMatter. And I get why it is...
After The Japanese 83-86
"The poem beats you down the street*" when the poem is written as an act of discovery. It's part of the joy of an open form. The prophecy in this batch of poems from the series I've been posting for...
Barry McKinnon Interview
To start a poetry culture in a town that had none before your arrival and to have that community continue while you have nothing to do with it, sounds a lot like MY story. There was a short-lived...
Postcard Feedback
I know what you are thinking. Don't put any more energy into things like this, but my strong sense of justice is begging me to respond. So, after changing another dirty diaper from my 3 year old and...
Susan McCaslin on Robin Blaser
Susan McCaslin has a wonderful piece that was posted yesterday to the Cascadia Poetry Fest blog: Trailblazing with Blaser by Susan McCaslin (pdf) From the moment I heard Robin Blaser lecture in my...
After The Japanese 80-82
More "alternate takes" in this series which I have been serializing here and which is over 18 months old. More poems about Zappa, my late cat and my reaction. You can't see the "Z" anymore but you...
2015 Postcard Final Stats
The signup for the 9th August Poetry Postcard Fest is final and the list has been sent to all participants. The total number of participants is down from an all-time high in 2014 - 423, to 208 in...
505. The Lake’s Brain
I was taking my corridor walk June 23, 2015, and was stunned by the reflection of the sun on wavelets of Lake Washington. I tried to get a decent video capture of the phenomenon (after looking at a...
Comment from a Postcarder
I am running this comment (from this post) as a post on its own just to take time to appreciate the sentiment. It looks like the fest this year will have less than half the participants, but if the...
56 Days of August
by Ina Roy-Faderman (Author), Paul E. Nelson (Editor), J.I. Kleinberg (Editor) Postcards are electric. I get excited just turning a rack of postcards around at the drugstore. There was a time before...
American Sentences
By Paul E Nelson This is a collection of American Sentences...A collection of 17-syllable sentences-the North American version of haiku, a form created by Allen Ginsberg-from a poet who has written...
Make it True: Poetry from Cascadia
By Paul E. Nelson A collection from poets writing from the bioregion lying west of the continental divide, spanning from Cape Mendocino in the south to Mt. Logan in the north. An attempt to deepen...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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