Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
Wildcrafting Seward Park
You think of the term "gardener" and something mild is evoked, perhaps an older person, but use the term "wildcrafter" and something subversive is suggested, perhaps with links to paganism. Yet...
Cascadia Dialog
The discussion I'd hoped for after the first and second Cascadia Poetry Festivals, is beginning to manifest in the wake of the 3rd iteration of the fest and the first in Canada. (Nanaimo, B.C. of...
Cascadia Poetry Festival 3 – Nanaimo
Sometimes there are events in my life that are so intense, or have so much action packed into a short time, it takes me a long time to write about them. Having founded a poetry festival for the...
After The Japanese 61-64
My sister Barb once gave me a T-shirt designed to help me remember my roots, my hometown and the pride in which those of us from the Second City have in our town. The message was the same as that...
Clyfford Still: Colville & Beyond
On Sunday, April 19, 2015, I interviewed Patricia Failing, Professor Emerita of the University of Washington about an exhibition she is curating in Denver at the Clyfford Still Museum. Clyfford...
Hillman City Haibun (Tobacco & Other Vegetables)
Maybe it's my Virgo nature that allows me to enjoy vicariously the lives of people whose work I admire but whose lifestyles have aspects I would not care to replicate. I would not say the phrase...
Jeremy Pataky at U Books
It takes a special (or odd) person to live in Alaska, especially by choice and not by birth. The long winter nights would be one reason. I can imagine how all that darkness would be hard to take....
ATJ 57-60 Language & Lilacs
It is logical that it would be a matter of time before Ella would adopt some of my better habits. All too often we're reminded of the bad ones our children take from us. You can decide whether the...
Make It True (Poetry From Cascadia)
It is still kind of hard to believe that the second of the Cascadia poetry projects I envisioned a couple of years ago is just about to manifest. Make It True: Poetry From Cascadia will be released...
Pictures of Peter Culley
For Peter Culley (1958-2015)
Hamish Todd “Interviews” Paul E Nelson
I met Hamish Todd the first time I went to Red Sky Poetry Theater. I used some language in a poem that was a little outside the regular open mic fare, but he got it and gave me a kind word. That was...
Ed Varney (A Lot of Nada)
It was Michael McClure in about 2004 who suggested I go beyond the U.S. when studying Open Form poetry. That led me to José Kozer (Cuban, though living in Hallandale Beach, FL) and poets in B.C....
Pocket Lint (A New Journal)
I have admired Warren Dean Fulton for years, maybe since I saw some of his cute little chapbooks like the U.S. Sonnets of George Bowering: That was published by Pooka Press in 2007. Warren's been on...
The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.