Cascadia Poetics LAB logo

PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.– Kosho Itagaki, Soto Zen Priest

Four Hoarse Men Ride Again

A couple of years ago I became part of a group of poets that sought to explore poetry from the angle of pure sound in the tradition of Dada, Kurt Schwitters, the Four Horsemen (of Canada, from whom...

read more

Hillman City Haibun 3 (Seattle Smells)

Just back from Miami where I had the good fortune to have access to the great Cuban poet José Kozer and do an interview, which I am working on getting posted here in a modified version as we await...

read more

After the Japanese 21-24

It's a very special time in Cascadia, mid-winter (almost typed "mind) with the signs of spring beginning to push up out of the dirt or waft by invisibly like the scent of Sweetbox. (Sarcococca.) And...

read more

Slaughter Birds

I am a big city guy. Keep in mind there are almost as many people in my home town (metro area) of Chicago 9.52M as there are in the STATES of Washington and Oregon. So one gets used to culture,...

read more

Hillman City Haibun 2 (Pink Floyd)

Pink Floyd, Soldier Field, June 19, 1977, Chicago, IL. One estimate suggests the crowd was 95,000 people. This is likely the largest concert attendance at a show I've ever attended, although there...

read more

After The Japanese 17-20

This latest installment of After The Japanese, poems written after the classic Japanese poetry anthology, is below. These poems were written in Winter/Spring 2014 and I am beginning to think lichen...

read more

Call for Beat Papers

The next EBSN (European Beat Studies Network) Conference is in Brussels in October. I attended a conference at the Université Libre de Bruxelles in 2011 and Franca Bellarsi is a warm and capable...

read more

1.1.2021 American Sentence

1.1.2021 - 2020 was taken out to the alley & shot in the head. 12.31.2020 marked the completion of twenty years of daily practice of composing American Sentences. (17 syllable poems, a form...

read more
The New Year (A Poem)

The New Year (A Poem)

Photo from CrosscutThe New Year January 1 too old to be hungover you unwrap the new year like a new stick of butter hope you get it in the dish at the right angle and not scrape off butter from the...

read more
Letter for Diane di Prima Park

Letter for Diane di Prima Park

30-December-2020 LaMonte Bishop City of San Francisco Parks & Recreation lamonte.bishop@sfgov.org To the Honorable LaMonte Bishop, I am writing to urge you to rename Page-Laguna Park in SF:...

read more
Sam O'Hana April 16, 2025

The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.

Sam O’Hana on Opening Poetry to the Working Class

by Paul E Nelson