Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
498. Depth Untended
Sam Hamill on Denise Levertov
Amalio Madueño, the great Taos poet whom I met while attending the legendary Taos Poetry Circus for three years in the late 90s, came to Seattle Labor Day weekend to attend Sam Hamill's book release...
497. Levertov Butterfly Nation
Not too many postcard poems from 2014 left. (Whew!) This one features another Germán Montalvo image and is an homage to Denise Levertov. Long live the organic! (Well, until it decomposes.) A link to...
496. The Occasional Chicharrón
496. The Occasional Chicharrón has more Congress and Puebla reflections, another reference to Vargas Lugo’s butterfly nation flags and the impending USAmerican football season, the advent of which...
97. Clues From Hell
Part of my journal practice is to read the journal entry from the same day of the previous year. A year ago I was ending my residency at The Lake, the last home of Morris Graves. The Morris Graves...
Animating Cascadia Western Lit Conference Notes
I am set to leave for Victoria on the Clipper and make a presentation Thursday morning at the Western Literature Association's annual conference on a panel with Andy Meyer and Nadine Maestas. They...
The Great Columbia City Dog Shit Debate
It's fascinating to see what hits a nerve with people in our internet age. Seems like days have passed, but it was only yesterday that a neighbor posted to the Columbia City neighborhood Facebook...
A Time Before Slaughter
Some Slaughter news. You may be aware that my publisher, Apprentice House, is the only student-run college press in the U.S. There are now four different classes students at Loyola of Maryland can...
495. Hazards
494. Momentarily Non-Local
494. Momentarily Non-Local is a sort of Levertov meets Whitman meets the notion of multiple selves. Sam Hamill says I am a “man of a thousand faces” and at least that many selves. Again Cholula...
Sharon Doubiago on Diane di Prima
Diane di Prima, August 6, 1929-October 25, 2020 I first learned of Diane di Prima as an actress. She played the part of Lula in the play The Dutchman by Leroi Jones (Amiri Baraka). It remains the...
Testimonials
Such sweet testimonials are coming in from participants in the recent Poetics as Cosmology course I facilitated, Oct-Nov 2020: Paul E. Nelson's "Poetics As Cosmology" course begins in a completely...
Paul O Ingram, Rick Rouse (The World is About To Turn)
One can look at one’s Twitter feed, or watch the news to understand how dark things are right now in USAmerica, but if the old cliché is true, that it is darkest before the dawn, we’re in for a...
The interview I conducted with Sam O’Hana, a Ph.D. student at CUNY, is immensely critical and immensely validating for the work we do at the Cascadia Poetics Lab. At its core, the discussion is about whether writing is for people of means, or if it can be people who have skill and something to say. It means the literary gatekeepers have failed us and have a role in perpetuating neoliberalism in North America which has paved the way for authoritarianism. The interview is available as a podcast here and as a YouTube video here. Below, I have pasted in the transcript and here is my introduction to Sam O’Hana and his topic.