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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.– Kosho Itagaki, Soto Zen Priest

97. Clues From Hell

Part of my journal practice is to read the journal entry from the same day of the previous year. A year ago I was ending my residency at The Lake, the last home of Morris Graves. The Morris Graves...

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A Time Before Slaughter

Some Slaughter news. You may be aware that my publisher, Apprentice House, is the only student-run college press in the U.S. There are now four different classes students at Loyola of Maryland can...

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494. Momentarily Non-Local

494. Momentarily Non-Local is a sort of Levertov meets Whitman meets the notion of multiple selves. Sam Hamill says I am a “man of a thousand faces” and at least that many selves. Again Cholula...

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493. Rose Petals & Chicharrónes

The latest postcard poem from the 2014 August Poetry Postcard Fest. August 19, 2014, Seattle, WA "Holiness does not dissolve, it is a presence / of bronze." - Denise Levertov The Cholula sacramental...

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Videopoem Version of Dispatch

A re-post here of a recent postcard poem. I met Kyle McCormick playing basketball in Columbia City. yes, I've been dragging my 53 year old ass onto the court again and have had some very good games...

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Airbnb, Microhousing & Seattle Nice

As I continue with a long-term cultural investigation of the bioregion in which I live, Cascadia, an investigation that includes a (hopefully) annual poetry festival, a Massive Open Online Course on...

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A Reading of Projective Verse

A Reading of Projective Verse

This post has been edited to include video of the reading of the seminal Charles Olson essay Projective Verse: It was October 1995 and I had just finished lunch with Michael McClure, the day I met...

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1.1.2021 American Sentence

1.1.2021 - 2020 was taken out to the alley & shot in the head. 12.31.2020 marked the completion of twenty years of daily practice of composing American Sentences. (17 syllable poems, a form...

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The New Year (A Poem)

The New Year (A Poem)

Photo from CrosscutThe New Year January 1 too old to be hungover you unwrap the new year like a new stick of butter hope you get it in the dish at the right angle and not scrape off butter from the...

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Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

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Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson