Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
Judith Roche, Rest in Power
I was saddened to hear the news via Facebook that Judith Roche died at her home in Seattle's Leschi neighborhood tonight. (Thursday, November 14, 2019). I had a chance to visit her last week and she...
Interview with Beat Nun Mary Norbert Körte (Oct 25, 2019)
The second and third interviews with former Catholic Nun Mary Norbert Körte were conducted by your humble narrator on Friday, and Saturday, October 25 and 26, 2019. While the woodstove fire crackled...
Reading in Ukiah
I will be heading to extreme Southern Cascadia Thursday, and go out of the bioregion to read in Ukiah, California. I am headed south to meet and interview Mary Norbert Körte, a poet, and former...
Happy 87th Michael McClure
I loved hearing Michael McClure and Allen Ginsberg at Naropa in 1976. See:...
Red Pine (Bill Porter) Interview
I had the good fortune to visit Bill Porter, the translator of ancient Chinese poetry and sacred texts, and interview him at his Port Townsend home on August 28, 2019. His latest books at the time...
Notes on The Undercommons
Nate Mackey tipped me off a few years ago to the work of Fred Moten and few months ago I came across a New Yorker article about a book Moten co-wrote with Stefano Harney entitled: The Undercommons:...
Write On Door County Sept 2019 Residency
I'm near the end of my week-long writing residency at Write On Door County. Postcard poet Sharon Auberle tipped me off to this writing center in the part of Wisconsin that sticks into Lake Michigan....
Happiness & Spirituality
my friend Jason Wirth is producing a couple of worthwhile events: Happiness & Spirituality How the concept of Gross National Happiness intertwines with Vajrayana Buddhism Lopen Gem Dorji (Gembo)...
The Cards I Got (APPF13 2019)
I have been holding off on taking and posting my annual picture of poetry postcards received during this year's August Poetry Postcard Fest. If I counted right, I got 62 cards: This is a shot taken...
SPLAB @ &Now Cascadia by Anthology
I am delighted to be part of the &Now Conference, which is being staged at UW-Bothell, September 19-22, 2019, with a rather remarkable collection of "experimental" poets.Not sure what word is...
Interview with Bill Porter on Dancing with the Dead
Here is the video version of my March 25, 2024 interview with Bill Porter on "Dancing With the Dead: Red Pine and the Art of Translation." We talked about his life, the movie and the film which...
Zoom Interview with Nicholas Gulig on Lorine Niedecker
Imagine growing up a poet in a state like Wisconsin and having to travel to Colorado to learn about the work of Lorine Niedecker, and furthermore to have one’s own consciousness changed by...
Typewriter Poems on Request at SAM’s Remix (Crush)
With my friend, the poet Samar Abulhassan, I'll be typing spontaneous poems on demand for people attending the Seattle Art Museum's popular Remix, Friday, March 29, 2024 from 7-10pm. Really, this...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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