Cascadia Poetics LAB logo

PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.– Kosho Itagaki, Soto Zen Priest

Poetry with Purpose

In planning for the Becoming Cascadian weekend May 31-June 3, 2018, the model used by my spiritual community (Subud) for its annual kejiwaan gathering is key. A very democratic affair in which there...

read more

Sam Hamill’s Last Book

After Morning Rain will be released tomorrow (Tuesday, May 15, 2018.) It is the last book by renowned poet, translator, editor and founder of Copper Canyon Press, Sam Hamill and there will be a...

read more

Postcards in Twisp

Thursday and Friday, (5.10 & 5.11.2018) I will be the Methow Valley for events that involve the August Poetry Postcard Fest.  Fest registration starts in less than two months and this is the...

read more

Paul Hunter 2004 Interview

Poet/Publisher Paul Hunter was the guest on a Global Voices Radio program which was recorded in September 2004. The subject was his book Breaking Ground and his own letter press, Wood Works. Paul...

read more

Sam @ 70

When I started getting more interested in poetry, early 90s (which does not seem like such a long time ago) I'd heard rumors about this curmudgeon in the Seattle poetry community. He was gruff, but...

read more

Socialize Facebook

As I write this, the founder of Facebook is apologizing to the U.S. Congress for the data breach that is being referred to as the Cambridge Analytica scandal. Not only has the confidential personal...

read more
Brenda-ized City Sonnet

Brenda-ized City Sonnet

For three full seasons (October-June, 2020-2023) I have conducted online workshops designed to allow poets who have participated in the Poetry Postcard Fest to go a little deeper into the process of...

read more
Postcard Poem as Ofrenda

Postcard Poem as Ofrenda

After I suggested this title as the June 15, 2023, talk to be given at the Altar/Alter project, I realized that what I meant was more like milagro or folk charm, though one could make the case that...

read more
Postcards on the Altar

Postcards on the Altar

I am delighted to be part of an ambitious event being produced by Greg Bem, Eric Acosta, Amy Hirayama, and Denny Stern. Three of the four are postcard poets and all are energetic members of the...

read more
Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.

To get original poetry right in your mailbox this summer, check out the Poetry Postcard Fest.

Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson