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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.

525. Momentary Cultivation

An August Poetry Postcard from 2015 featuring yet another photo of mine from 2014, this one from the Skokomish Rez, I love the allusion to the American Indian Movement and hope President Obama will...

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HRC and the Death of the Onion

I've loved the Onion for years and can remember almost wetting myself at the biting humor of some of the stories. (One on Ozzie Guillen comes to mind.) Dark, un-PC and probably the best thing going...

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Hummingbird Resuscitation

I like to think of it as a good sign in my life when critters are waiting until I pass by to drop from the sky in need of a little aid. Fortunately this recent experience was only a hummingbird, but...

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Left. Egalitarian. Sandernista.

In an essay I wrote ten years ago (!) I compared subcultures in North America to make a point about poetry cultures. The essay is Changing a Culture: (A Look at Cultural Modernism and Free Market...

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Gluten Free Cultural Bandwidth

I guess pizza and coffee with a cheese Danish is out. In one way this post is a continuation of the Bernie Sanders expands the Cultural Bandwidth post of a few days ago. And today two noteworthy...

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523. Body, Speech, Mind

In this poem from the 2015 August Poetry Postcard Fest the fact I was reading Philip Whalen's biography is reflected and because of that some Buddhist notions. Other factors include a touch of Subud...

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Ancestry Includes Chiefs

One of the truly remarkable gifts in the information age is the access to ancestral information. Within the last year I started an account with the Geni.com and in the last week my Brother Andrew...

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Galactic Travel in Rainier Beach

Galactic Travel in Rainier Beach

What a delight to see the careful unveiling of community in this neighborhood where Bhakti and I have lived for over 4 years. The neighborhood is Rainier Beach and we live across the street from a...

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Haibun de la Serna World Tour

Haibun de la Serna World Tour

Now that Haibun de la Serna, my latest book of poems, is out, it is time to launch the HdlS WORLD TOUR to promote it. I am blessed to have a sympathetic publisher in Koon Woon of Goldfish Press and...

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Haibun de la Serna Published

Haibun de la Serna Published

I am delighted to announce today that a book I finished ten years ago has just been published by Koon Woon's Goldfish Press. Haibun de la Serna is the book. It consists of 99 neo-barroco haibun all...

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Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

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Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson