Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
“Paul formally received the Mahayana precepts of Zen Buddhism in 2023, becoming a lay practitioner within the tradition, but I believe he had long lived in accord with them. His poetry, in its sensitivity, its humility, and its deep listening, embodies practice-realization — the understanding that practice and awakening are not separate. His writing was his zazen. This collection, FLEXIBLE MIND, is more than a book. It is a continuation of that practice. A testament to a man who lives by attention, who bows to language but does not cling to it, who seeks what lays beyond words by walking straight into them.”– Kosho Itagaki, Soto Zen Priest
Hillman, Columbia City Lit Crawl
The pub crawl is a tradition that goes back to the 19th century. A group gets together and drinks in a series of bars. Maybe the participants are new to a town. In Australia they had over 4,000...
Hillman City Haibun 5 (White Cat Privilege)
It's the odd experience successfully translated into language that often makes a good American Sentence. A long walk can yield a sentence or two, but having the daily practice helps with perception...
After the Japanese 29-32
Today, the next segment of the 100 poems written using each poem in the classic Japanese poetry anthology (Ogura Hyakunin Isshu (小倉百人一首)) as a prompt. These were also written at a short retreat at...
José Kozer Interview
This past January 18 and 19 (2015) I had the great pleasure of going to Hallendale Beach, Florida, and having access to the great Cuban-American poet José Kozer in the home he shares with his wife...
Hillman City Haibun 4 (Sleep, Crackers)
It's a toss-up for the best American Sentence this week. Yesterday's pertains to a new health condition, or at least a new diagnosis. Today's comes from a source who said she did not write it, but...
After The Japanese 25-28
In this stretch of the project of writing inspired by the classic Japanese poetry anthology, I start in memory and move to the time about a year ago when I was the guest of Gerry Cook and Hannah...
Four Hoarse Men Ride Again
A couple of years ago I became part of a group of poets that sought to explore poetry from the angle of pure sound in the tradition of Dada, Kurt Schwitters, the Four Horsemen (of Canada, from whom...
Hillman City Haibun 3 (Seattle Smells)
Just back from Miami where I had the good fortune to have access to the great Cuban poet José Kozer and do an interview, which I am working on getting posted here in a modified version as we await...
After the Japanese 21-24
It's a very special time in Cascadia, mid-winter (almost typed "mind) with the signs of spring beginning to push up out of the dirt or waft by invisibly like the scent of Sweetbox. (Sarcococca.) And...
Slaughter Birds
I am a big city guy. Keep in mind there are almost as many people in my home town (metro area) of Chicago 9.52M as there are in the STATES of Washington and Oregon. So one gets used to culture,...
Read/Study Mackey’s Double Trio
If not the culmination of a 40+ year serial poetry effort by perhaps the world's leading living practitioner of that stance toward poem making, it is a huge new hunk. Matt Trease and I look forward...
Last Year’s Pandemic Postcard (Not Yet)
My practice each morning includes reading the journal entry from the same day of the previous year. For instance, today I read Monday, April 6, 2020. It was Day 24 of the Shelter-in-Place...
Wild Roof Journal Interview
I was fortunate to have been interviewed by the kind folks at Wild Roof Journal, a periodical which takes its name from a William Blake poem. We discussed the Poetry Postcard Fest, spontaneous...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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