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PAUL E NELSON

Cascadia Poetry Festival 8 Paul E Nelson at the microphone

Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski

Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.

After The Japanese 9-12

When one writes poetry from the practice of outside, you can go back and look at poems 10 months old and marvel at the consciousness there because in a way, it's not you. As drummer Hamid Drake told...

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R.I.P. Ralph Maud (1928-2014)

On December 11, 2014, Cascadia lost one of its most important scholars when Ralph Maud died a couple of weeks short of his 86th birthday. He was three days older than my Dad who also died this year,...

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Cuba Libre

I had just dropped off my daughter Ella Roque at her Spanish immersion pre-school and parked in front of my favorite juice bar when the top of the hour radio headlines broadcast that President Obama...

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After the Japanese 5-8

My hiking partner and I had made it to the end of the Hoh River Trail, 17.5 miles, and had done a silence ritual, where each of us spent the day away from the other in the Olympic National Park. I'd...

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Bioregionalism or Endless Garbage

There needs to be a new idea or a more fleshed out idea of what a human being is in reference to sharing the biosphere with other life. - Peter Berg This is part of what essentially is Peter Berg's...

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Uncascadian

It was a long day, but one filled with vision and inspiration last Saturday (Dec 6, 2014) as I was part of a Board Retreat for CascadiaNow! I agreed to be Board President when asked by founder...

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100 Poems After the Japanese

Having finished back in May a series of poems inspired by the classic Japanese anthology, I come to it now after letting the poems sit for a while, and re-read them in the spirit of seeing how my...

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St. Paul Seattle N.30.14

It is a testament to the good of social media that an event like Seattle/St. Paul, which happened last night in St. Paul, Minnesota, with a poet I'd never met before, Mark Fleury, could happen. My...

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My Personal Universe Deck

My Personal Universe Deck

What's good for the goose... It was about 20 years ago (2000?) when I first learned about Michael McClure's concept of a Personal Universe Deck and 8 years ago when I took some of my retreat time at...

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12.9.2020 American Sentence

12.9.2020 American Sentence

The end of 2020 (aside from spawning millions of "good riddance" celebrations) marks the completion of twenty years of daily practice of American Sentences. These (usually) 17 syllable poems, a form...

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In Honor of David McCloskey “The Father of Cascadia”

David McCloskey passed away on July 3. In honor of his lifetime of work to create and spread a culture that was deeply connected to the Cascadian bioregion, Cascadian Prophets, which owes more than just its name to his work, we want to share this interview from October, 2013. Find it transcribed on our website.

To listen to the original audio of this interview, click here.

Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.

David McCloskey

In Honor of David McCloskey "The Father of Cascadia"

by Paul E Nelson

Deborah Poe

How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems?  Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.

Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.

Check out more of what the Lab does here, and listen to more current and archival podcasts on Spotify or on our website.

To get original poetry right in your mailbox this summer, check out the Poetry Postcard Fest.

Deborah Poe on "flagging the apocalypse pageantry"

by Paul E Nelson