Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Footsteps – Call for Poems
Doug Johnson of Cave Moon Press has invited me to edit a book that will benefit homeless veterans. The call is below and a pdf attached so you can spread the news far and wide. This is a worthwhile...
Cascadia Update
The 3rd Cascadia Poetry Festival is three weeks away in Nanaimo, BC, and unlike the first two, it is in Canada and it is being run by people who attended at least one of the previous events. This is...
Pig War Camp Walk San Juan Island
I have been invited by Mike Vouri to talk about the Pig War and my manuscript, Pig War & Other Songs of Cascadia, Saturday, April 11, at 1PM at the American Camp on San Juan Island, and to take...
Hillman City Haibun (Early Lilacs)
3.29.15 - John Olson’s right about early lilacs - March is the new April. Facebook, being what it is, is a source of exchange that can yield moments like this. A recognition of certain facets of...
First Quarter 2015 American Sentences
I started to harvest my American Sentences after filling up my latest pocket journal and by the time I finished that harvest, I was halfway done with another pocket journal. So goes the writing time...
After The Japanese 49-52
The last three of the poems in this series written in Marblemount, WA, seem so distant given the contrast between last year's winter snow and this year's winter-of-no-winter. Also a year ago the AWP...
Seattle (City of No Lit Crit)
If you are involved at all in the Seattle writing community, you have no doubt heard by now about the op-ed former Hugo House Writer-in-Residence and novelist Ryan Boudinot wrote for the local...
Winter of No Winter & Seattle’s Water (Hillman City Haibun 10)
It's over now, but Winter 2014/2015 in Seattle was not much of a winter. Many people around here were planting their gardens over a month ago and I suspect that was very wise. Many plants have been...
Audio from King’s Books 3.13.15
I am grateful to Connie Walle for inviting me to be a featured reader at the Distinguished Writer's Series in Tacoma. I did it last Friday, March 13, 2015 and was delighted to see many long-time...
After The Japanese 45-48
The latest in this series of poems written in 2014 and archived here cover ground from Lorine Niedecker, to Michael McClure, to Amalio Madueño (Garcia), to Vincent Van Gogh and were also written in...
Poetry Postcards Black Mountain Style
I was delighted to team up with postcard poet (with a new book!) Margaret Lee for an essay that has been published on the website of the Journal for Black Mountain College Studies. Postcard poets...
Michael Boughn on Jack Clarke
Michael Boughn is a brilliant poet who edited Robert Duncan's mythical H.D. Book, studied with Robin Blaser and co-edited the dangerous website Dispatches from the Poetry Wars, now archived via...
Hamish Todd “Interviews” Paul E Nelson
I met Hamish Todd the first time I went to Red Sky Poetry Theater. I used some language in a poem that was a little outside the regular open mic fare, but he got it and gave me a kind word. That was...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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