Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
The Sacramental Aspect of Habitation
“And that is what a poet Is, children, one who creates Sacramental relationships That last always.” - Kenneth Rexroth Aside from the signature, this is how Rexroth ended his epistle “Letter to...
Happy Birthday Danika Dinsmore
A happy birthday today to SPLAB Co-Founder Danika Dale Dinsmore, who co-founded the SPLAB project with me in 1997 (not to be confused with the organization that now uses SPLAB as its name.) In her...
Hillman City Haibun (Walkin’, Lichen)
As I noted in my last haibun post, walks = poetry. If you do not get a poem when walking, you have not walked long enough. Ask Charles Reznikoff, who was well-known for taking walks of 15 to 20...
After The Japanese 33-36
It was interesting when first meeting San Francisco poet Kevin Killian, whose name I would occasionally see on the SUNY-Buffalo poetics listserv years before social media would allow us to keep...
Hillman, Columbia City Lit Crawl
The pub crawl is a tradition that goes back to the 19th century. A group gets together and drinks in a series of bars. Maybe the participants are new to a town. In Australia they had over 4,000...
Hillman City Haibun 5 (White Cat Privilege)
It's the odd experience successfully translated into language that often makes a good American Sentence. A long walk can yield a sentence or two, but having the daily practice helps with perception...
After the Japanese 29-32
Today, the next segment of the 100 poems written using each poem in the classic Japanese poetry anthology (Ogura Hyakunin Isshu (小倉百人一首)) as a prompt. These were also written at a short retreat at...
José Kozer Interview
This past January 18 and 19 (2015) I had the great pleasure of going to Hallendale Beach, Florida, and having access to the great Cuban-American poet José Kozer in the home he shares with his wife...
Hillman City Haibun 4 (Sleep, Crackers)
It's a toss-up for the best American Sentence this week. Yesterday's pertains to a new health condition, or at least a new diagnosis. Today's comes from a source who said she did not write it, but...
After The Japanese 25-28
In this stretch of the project of writing inspired by the classic Japanese poetry anthology, I start in memory and move to the time about a year ago when I was the guest of Gerry Cook and Hannah...
McClure’s Last Book Mule Kick Blues
Michael McClure died one year ago, May 4, 2020 and the last book he wrote will be launched by legendary publisher City Lights May 8, 2021, via Zoom, 3pm. A memorial tribute to Michael with readings...
Armenian Genocide
I was delighted to hear that President Biden announced that for the first time in history the United States recognizes the Armenian genocide perpetrated by Turkey in 1915. See:...
The Wig Maker
How the life story of a woman abandoned by her mother and abused as a child by her father was turned into experimental lyric poetry is the premise of a book by Janet Gallant as told to Sharon Thesen...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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