Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Uncascadian
It was a long day, but one filled with vision and inspiration last Saturday (Dec 6, 2014) as I was part of a Board Retreat for CascadiaNow! I agreed to be Board President when asked by founder...
100 Poems After the Japanese
Having finished back in May a series of poems inspired by the classic Japanese anthology, I come to it now after letting the poems sit for a while, and re-read them in the spirit of seeing how my...
St. Paul Seattle N.30.14
It is a testament to the good of social media that an event like Seattle/St. Paul, which happened last night in St. Paul, Minnesota, with a poet I'd never met before, Mark Fleury, could happen. My...
The Biosphere & the Bioregion
I've just finished the new book on the Essential Writings of Peter Berg. The Biosphere and the Bioregion is the title and it is so prophetic and visionary, I am compelled to cull through all my...
Ferguson, Race, Privilege and Life in a Police State
Was inspired by seeing Jarret Middleton's thoughts about the lack of charges brought against Darren Wilson, the officer in Ferguson, Missouri, who fatally shot Michael Brown, a young black man whose...
501. Hawthorne Presence
WooHoo! The last 2014 August Poetry Postcard! (See all here.) And with only 221 days until the next call goes out. Hawthorn Presence uses an image I took on my cellphone of the house Denise Levertov...
Cover Poem Writing Exercise (Rewrite, New Arrangement)
Often times I’ll see a poem, or in the case below, one is sent to me, and feel that it needs updating, or could stand to be altered to fit the conditions of my particular place and time while yet...
500. Passing Lane
Passing Lane is another 2014 August Postcard Poem, but this one reflects a life firmly back home after my visit to Mexico, firmly into the routine of taking walks in my Hillman City/Seward Park...
Upcoming Readings
I have been working like a dog on the Cascadia Poetry Anthology, Make It True the last few months, but the last few days especially and we're almost done. It's been a joy to work with Nadine...
499. Literary Bruxism
Driving the Redwood Highway is one of the most wonderful road trips I could ever imagine. Starting from Grants Pass, Oregon, stopping at Dutch Bros coffee to get an Irish Creme latté, you soon head...
Zoomuse Reading (The Recording)
My huge appreciation goes out to Andrew Hall, SICA-International, my Subud Sisters and Brothers and a few fans who came to my March 5, 2021 Zoomuse reading. I have found that I feel more at ease...
McClure Tribute
I am delighted to be part of a Michael McClure Memorial Tribute being produced by City Lights Books on the occasion of Michael's last book of poems Mule Kick Blues. Details: On the one-year...
Zoomuse Reading, Friday, March 5, 2021
Check out this interview about my work, conducted by Andrew Hall, as a poet from the perspective of my spiritual community, Subud: From Andrew Hall: At the March 5 Zoomuse event, Paul will be...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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