Paul E Nelson presenting at Cascadia Poetry Festival 8, photo by Leszek Chudzinski
Paul Nelson’s ongoing honing of the Day Song poetry event has produced some of the most lively and consequential verse of our time. How else write about the calamities and demands and mental/emotional/political consequences of the materialist apocalypse upon us, than an ongoing poesis of awareness and participation the anti-form the Day Song provides? Truly a praxis of proprioception and of Olson’s demand to “keep it moving…
– Sharon Thesen, Cascadian Poet/Scholar from B.C.
Profile of an Anarcho-Leftist, Poet/Librarian, Gentrifier, Greg Bem
When you think of the kind of person gentrifying the Rainier Valley, a man who could be described as an Anarcho-Leftist, Poet/Librarian might not be tops on your list. Greg Bem is a Rainier Valley...
2017 August POetry POstcard Fest is Coming
The call for the eleventh year of the August Poetry Postcard Fest goes out July 4, 2017, and registration opens then. Like last year, as soon as 32 participating poets get signed up, the list will...
Poetry Wars Revived
Most of the LANGPO vs. Black Mountain poetry war was fought before I was invested in poetry, so I have done my best to catch up, but a recrudescence has emerged thanks to Dispatches, a website...
Cultural Appropriation or Appreciation
oIs it Cultural Appropriation or Cultural Appreciation? Can you tell the difference? Is close reading dead? The issue of cultural appropriation has flared up in the last ten days or so thanks to The...
Neukom Vivarium Variations
It is part public art sculpture, part environmental education project. Unlike any other art project one can imagine, the Neukom Vivarium in Seattle’s Olympic Sculpture Park is a nurse log...
Evan Flory-Barnes Interview
On Tuesday, April 25, 2017, I sat down with bassist, composer and Seattle native Evan Flory-Barnes in my apartment in the Angeline to discuss his work, his vision for Seattle's arts community and...
Notes on the Poetics of Resistance
Resistance is in the air thanks to the election of SCROTUS, the So Called Ruler of the United States. I've written about Resist Much, Obey Little: Inaugural Poems to the Resistance and have read my...
Greyhounds & Activism @ Angeline
Start with two rescued Greyhound dogs, add two vegans (a mother and daughter) and move them to a large apartment building in a rapidly gentrifying neighborhood (Columbia City) and what do you get?...
Responding to Ethelbert
I first met Ethelbert Miller in 1994, when I knew nothing about poetry and he was touring with the book "In Search of Color Everywhere: A Collection of African-American Poetry." We've stayed in...
PageBoy Magazine Writers on Writers
When I was asked for writing about a writer by Thomas Walton of Pageboy Magazine, I immediately thought of my homage to Sam Hamill, written in 2014 and written after the Kenneth Rexroth poem "A...
For Mary Norbert Körte
I have finished creating podcasts with my two interviews conducted in October 2019 with the former Nun and poet Mary Norbert Körte. She died on November 14 at age 88 at her home near Willits,...
A Winter Solstice Reading
Over the past ten+ years my friend the poet and librarian Greg Bem has created some of the most inventive poetry gatherings I have ever experienced. One that involved divination and chance...
Rainier Beach Arts & Crafts Market/New Chapbook
I am delighted to be part of the Rainier Beach Arts & Crafts Market, December 3, from 11am to 3pm, at the Rainier Beach Community Club, 6038 S. Pilgrim Street. Bhakti and I have lived here in...
How does one make literary art about this time in history that avoids rhetoric and facile political positioning in this era of the spectacle? How does one avoid being consumed by the simultaneous collapse of so many systems — some being eviscerated by people in positions designed to protect such systems? Deborah Poe has some idea based on her submission to the upcoming anthology Winter in America (Still.
Deborah is the author of several books of poetry including keep, Elements, and Our Parenthetical Ontology, as well as a novella in verse, Hélène. Her visual works–video poems and handmade book objects–have been exhibited throughout the US. She lives on stolen Coast Salish land, specifically the ancestral homeland of the Duwamish, Suquamish, Stillaguamish, and Muckleshoot People.
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